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That's part of the magic you find other people of like minds, you find guilds and you end up logging in to play with those people. You are supposed to develop those relationships. I spent probably the first six months of launch fixing those types of issues. That was really good for the world changing and the story changing aspects, but it destroyed players being able to play with other players because they were separated, so we had to find a balance there. 'Really early on, we tried to the world actually changes, so you go in and save this village and then you go to that area and the village is saved and someone else comes in there and they're on basically a different layer and there's hostiles everywhere. 'It ultimately comes down to doing as much as you can to make the player feel like they are special and that they're the only ones that are there, but they know there are other players around,' Lambert says. Where necessary, the game will change the name or look of an NPC in a way that is consistent with both the game's structure and your own narrative. If you embark on a quest that involves killing a character in the world, that character will subsequently be hidden to you – but other players will be able to see them. 'Most Elder Scrolls fans don't want other players in their game'Īnother example he offers is the game's ability to hide NPCs. You can invite other people to it, but nobody else can accidentally come in and take over and kind of ruin that experience for you.' 'That's where the single-player thing comes in you go in, get your own encounter with that boss. 'It's basically like your own private instance for that boss,' Lambert explains. He points to examples from the MMO's early days where hundreds of players would be trying to reach a major boss at the same time – something that 'really turned some of the traditional Elder Scrolls fans off.' Over time, ZeniMax Online developed new techniques and ways to layer what players could see. I think we found a really good balance there are good choices for players to make, but at the same time, there are other players in your game so there are some things that you have to do.'

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We learnt a lot about how to tell those kinds of stories. 'We got a lot of that feedback early on – it's a 'I don't want chocolate in my peanut butter' kind of thing where people want to feel that they have direct influence over the world and that their choices matter. 'That's the hard part – most Elder Scrolls fans don't want other players in their game,' Rich Lambert, ZeniMax Online's creative director for The Elder Scrolls Online, tells.

Since 1994's Arena – and particularly since 2002's Morrowind – the Elder Scrolls IP has been synonymous with vast open-world single-player RPGs where fantasy fans can lose themselves in a mix of epic main quests, exploration and an abundance of side content.īut how does that translate to an MMO, where each hero is surrounded by potentially millions of other similarly epic heroes?

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